Analyze Scenes 1 and 2 using the "feminist" critical lens.
Veer Raxwal
A Streetcar Named Desire is a stage play written by the Tennessee Williams. It was published in 1947 and the setting for the play was New Orleans, Louisiana. In the play, women can be described as weak, passive and powerless who are chained to their male counterpart due to economic, social and physical needs.
Feminist critics are those who accept the idea that gender differences are culturally determined and interpret literature as a record of male dominance. In A Streetcar Named Desire, the dominance of men on women is evident throughout the play - the way they view, converse, and abuse them. Furthermore, traditional literary works such as this play present women as submissive characters that are dependent on male authority and control. This is evident throughout the play.
To begin, Blanche is a character who believes she must act in a feminine stereotype to find a man who will fulfill her craving for stability. She can also be described as an ostentatious individual who leads a profligate lifestyle. Similarly, Stella also heavily depends on Stanley in respect to her decision making and actions.
In terms of a feminist approach, the play reflects and challenges male-dominated social values. For instance, Stella is subjugated to Stanley and when Blanche is introduced in the play, the stage directions describe her physical appearance. On the other hand, with Stanley, the focus is on his overall masculine “energy”. This is also seen when Stanley hits his pregnant wife and Stella still submits to him. Another example is when Blanche tries to flirt and cajole Stanley. Another instance is the exclusion of the sisters’ from poker night.
To continue, this uneven power balance is demonstrated in the introduction of Stella’s character. As she asks Stanley “Can I come watch” when he is going bowling. This shows Stella has to ask permission, which illustrates Stanley as the power holder in the relationship. Furthermore, Stanley also patronizes Stella when he refers to as a little women rather her name, which objectifies and diminishes her social standing.
Another common theme is both Blanche’s and Stella’s need for a man in order to survive. This is shown when Stella explains how she can hardly stand when Stanley is away for a night, as she says when he comes back “she cries on his lap like a baby”. This illustrates her extensive dependency on a male figure.
In terms of the male characters, writers have depicted them as exploitive and repressive in their relationship. Williams shows this in his description of Stanley as a “gaudy seed bearer” who “sizes up women at a glance”. This directly portrays him as a dominant and oppressive figure to women. The diction used also confirms the superior role in his interactions with Stella and Blanche.
Moreover, feminist also believe that gender differences are culturally determined rather than biologically. This suggests that women aren’t irrational and self-pitying as much as Williams describes in his play. For instance, Williams shows Stella as an irrational and unsophisticated individual. This is expressed when Stanley talks about the Napoleonic code, as Stella says her “head is swimming” from the legal information, implying that she doesn’t understand it. Stereotypically, masculinity means a rational decision making individual while women are thought to be less rational. Stella’s failure to understand Stanley further reinforces this idea.
In total, a feminist critic would interpret this play as Tennessee William’s view of patriarchy in American society in the 1940s which made it difficult for women to survive independently. This is shown through his characterization of Stella and Blanche as well as Stanley and his choice of actions.